Thus, sweaters knitted for young children are usually knitted in acrylics, which are light in weight and washable.
By Design red plaid cardigan. New with out tags. Please see pictures as they are part of the description. I try to photograph as many details of item as possible. Please see pictures for approximate measurements and material content.
We are a nonsmoking and dog friendly home. Items will be shipped within two business days of receipt of payment. PayPal is the only form of payment accepted at this time and will only ship to address listed on PayPal account. The sizing of the handmade Ponchos varies; not designed for larger sizes [will fit larger sizes but neck opening may be tight], the sleeve will hang at mid-way point on the arm.
These Photos are taken in sunlight to show the vividness of the colors and to give you and idea of color. These Photos are taken in sunlight to show the vividness of the colors and to give you a better idea of the actual color. Hand washable in cool water. Designed by Tammy Hand Knitted in England. Cardigan Sweater - Evening Wear. Pit to Pit 22" Length 25" From Shoulder to bottom. Gorgeous long tunic length pullover V-neck sweater with scalloped neck and beautiful deep 2" crochet scallop on the hem.
This really is delicate and dainty. Overall length is long tunic length of 29" to end of scallop. The sizing of the handmade Ponchos varies; not designed for xlarger sizes, the sleeve will hang at mid-way point on the arm. The sizing of the handmade Ponchos varies; the sleeve will hang at mid-way point on the arm depending on your size. Length laying flat shoulder to hem approx: Chest laying flat armpit to armpit approx: Guaranteed by Thu, Oct Rare gorgeous shimmering silver black, and blue saxaphone sweater.
Made in the USA. Shimmers in the light. Music notes down one sleeve. The aim of sweater design is a sweater that fulfils certain criteria. The primary criterion is that its intended wearer wants to wear it and, in case of commercial sweater design, is willing to buy it at a commercially feasible price point. General secondary criteria include. To satisfy these secondary criteria, the designer has several tools at their disposal, such as yarns , colors , patterns , textures , necklines , hemlines , sleeve shapes, style lines , pockets and embellishments, as well as the fit of the garment to its intended wearer, the silhouette.
Despite the wealth of design techniques and studies of successful designs, the primary criterion that the sweater be desired is not always achieved, often due to factors beyond the designer's control including serendipity. Sweaters are worn in various circumstances. For example, while some sweaters are worn at fancy dress occasions, others are worn to work, to religious services, in sporting or outdoors events such as hiking and camping. Similarly, the choice of a sweater can vary with different climates and different seasons, even with different times of the day.
The sweater designer will generally target a particular occasion and temperature, e. Comfort is paramount; the sweater should make the wearer feel at ease, in the most general sense. The temperature should be right, the fabric should "breathe" and should not irritate the skin. The sweater should hang right and not need constant adjustment; It should fit well and allow for customary motion without binding e.
Finally, a sweater should not make the wearer feel uncomfortable because of its "cut" e. The fit of a sweater affects its comfort, its attractiveness and, sometimes, its practicality e. Ideally, these measurements will be taken directly from the intended wearer, since bodies are idiosyncratic and these measurements may vary independently of one another, e.
Alternatively, the body measurements may be estimated from clothing that fits the wearer well. As a last resort, standard measurements such as EN or US standard clothing sizes may be used. Of course, a sweater need not conform exactly to the wearer's body. Ease may be introduced to make the sweater larger than the body oversized , typically by increasing the circumference measurements by inches. Different amounts of ease can be introduced at different points to give the sweater a distinctive silhouette.
For example, a "Gibson-girl" sleeve is produced by adding much ease to the upper arm and none to the lower arm, whereas the reverse is true for "bell" sleeves also called "bishop" sleeves. Similarly, the bodice can fit loosely in the bust and tightly at the waist, or the reverse. By making the sweater match the desired measurements, an excellently fitting sweater can be made.
The width of a knitted piece at a given height should equal the corresponding circumference; for example, if the desired bust circumference is 38", then the front or back width at that height should be 19" each. The width of the upper sleeve just before the sleeve cap, if any should likewise equal the desired circumference of the upper arm.
Having determined the size and shapes of the knitted pieces, the number of stitches in a row is given by the desired width multiplied by the knitting gauge e. Similarly, the number of rows in a column may be determined by multiplying the desired height by the vertical gauge e. The human body has curvature, but woven fabric is flat and has little elasticity. To produce curvature in a smooth unruffled woven fabric, it is necessary to subtract or add wedges of fabric.
Positive curvature cupping, such as is needed at the bust point or over the rear is produced by subtracting a wedge a dart with the point of the dart almost at the point of desired maximum curvature. The greater the angle of the wedge, the greater the local curvature. The orientation of the dart is unimportant for the curvature, so it can be chosen to accentuate a style line of the garment.
Although the base of individual wedges usually lies on a seam, sometimes wedges occur in pairs diamonds that are independent of the seams. Subtracting a diamond-shaped dart produces positive curvature at the outer points of the diamond, and negative curvature at the middle points that are brought together good for the bust or back.
Conversely, adding a diamond-shaped gusset produces negative curvature at its tips and positive curvature at its middle useful in designing stuffed animals.
Sometimes, the sharp, angular edges of the wedges are softened to form continuous princess seams. Since knitted fabric is generally elastic, it conforms readily to the wearer's body without shaping. However, some shaping may be necessary when the knitted fabrics are unusually stiff e.
Ironically, shaping is much easier and less obvious with knitted fabrics than with woven cloth. The choice of yarn affects the comfort of the sweater, since it affects its warmth, weight and ability to "breathe" air exchange. Some yarns will also produce itching or even allergic reactions in some wearers. The yarn affects the bulk and drape of the knitted fabric, as well as the visibility of stitches.
Complicated stitch patterns are best seen with a smooth, highly spun yarn and may be invisible with "furry" yarns such as mohair or novelty yarns. The washability of yarn affects its practicability. Thus, sweaters knitted for young children are usually knitted in acrylics, which are light in weight and washable.
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